

Until the criminal investigation is completed, and courts sort out liability in the civil suits, it may be unclear just what steps festival promoters and concert venues should take to prevent a recurrence. Randy Phillips, former CEO of AEG Live, a concert giant that counts Coachella among its portfolio of festivals, said that for shows he is planning on his own as a promoter, “we are oversecuring and overinsuring all participants in a way we probably wouldn’t have pre-Astroworld.” Still, the impact of the deaths in Houston are already being felt in the industry, as executives calculate the increased costs and heightened security measures they expect will be required in the future to avoid becoming the next Astroworld. Deaths and major injuries are rare, and when they do occur, they often involve factors such as drug overdoses.
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Live Nation, the world’s largest concert company, put on some 40,000 shows of various sizes in 2019, the most recent year that it had a full slate of events. The concert industry sees it differently, arguing that the rarity of serious problems given the many thousands of events that go on without major incident each year proves that most shows are perfectly safe and that expertise has been developed to protect the public.

To critics like Wertheimer, Astroworld is yet another sign that concert promoters prioritize profits over safety. The Astroworld disaster has already ignited debate about the safety of festivals, just as the industry has finally seen the return of large-scale touring after more than a year of dormancy during the pandemic. “I’ve been living this recurring nightmare, what happened in Houston, for 40 years,” he said in an interview. He began his career investigating the Who disaster and has since documented thousands of safety incidents at festivals and concerts his research has included hours studying the dynamics of mosh pits. The event, and the finger-pointing in response, seemed all too familiar to Paul Wertheimer, a concert security expert and longtime critic of the industry. Those fears were rekindled with Travis Scott’s Astroworld festival in Houston last Friday, when nine people died and more than 300 were injured at a packed event that drew 50,000 people to NRG Park.įor now, more questions than answers surround Astroworld, including how well the festival’s security plan was followed and why it took nearly 40 minutes to shut the show down after Houston officials declared a “mass casualty event.” Houston police are conducting a criminal investigation, and dozens of lawsuits have been filed against Scott and Live Nation, the festival’s promoter, among other defendants.
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In response, Cincinnati banned that kind of general-admission model, sometimes called festival seating, and the incident served as a reminder of the inherent danger when pop music is mixed with big crowds.Ĭincinnati’s ban was lifted in 2004, just as a new, lucrative era of music festivals was taking off, led by events like Coachella, that were modeled after European festivals where fans roamed free and took in attractions on multiple stages.īut through the years, a series of disasters at concerts, clubs and festivals have served as reminders of the dangers of crowds, such as the death of nine people at a Danish festival in 2000 or a stampede at a nightclub in Chicago in 2003 that left 21 dead.

In the confusion outside the venue, 11 people were crushed to death. The show was booked without seat reservations, giving early bird fans the chance to rush toward the stage. 3, 1979, a crowd amassed outside Riverfront Coliseum in Cincinnati for a concert by the Who. REGISTERED MAIL COSTS A LITTLE MORE, BUT IT'S WELL WORTH IT.On Dec. IF NOT I SEND OUT YOUR ITEM FIRST CLASS INTERNATIONAL S&H. I DO PREFER REGISTERED S&H ON ALL INTERNATIONAL S&H IN CASE OF LOST OR STOLEN ITEMS. THIS IS FOR YOUR PRIVATE PERSONAL COLLECTION. RARE FAMOUS FIRST SHOW WITHOUT KIETH MOON WITH NEW DRUMMER KENNY JONES WHERE 11 PEOPLE DIED FROM BEING TRAMPLED. THIS IS "NOT" A PIRATED COPY OF ANY KIND, THIS IS AN ORIGINALĢ011 NSU RECORDS 583/84 OF THE WHO LIVE AT RIVERFRONT STADIUM IN CINCINNATI ON DECEMBER 3RD,1979. The Who concert disaster occurred on Decemwhen British rock band the Who performed at Riverfront Coliseum in Cincinnati, Ohio, United States, and a stampede of concert-goers outside the coliseum's entry doors resulted in the deaths of eleven people.
